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  • Bro Hugh, a single by Muyiwa Kunnuji’s Osemako, blends elements of Africa’s premier dance genres to pay tribute to the pioneers of the continent’s popular musics, whose legacies remain pivotal in trans-regional contemporary musical contexts. The trails of South African Marabi, Central African Soukous and West African Highlife, nested within more modern Afrobeat sensibilities combine to produce a sonic depiction of profound African pride. On the flip side is a linguistic convergence involving an artistic blend of English, French and Yoruba, with each language aptly positioned in lamenting the transience of human life, while encouraging a visionary outlook, which often culminates in fulfilled dreams. The creative combination of call-and-response, percussive bass and tradition-inspired rhythms in this piece engenders a nostalgic, yet futuristic musical collage, which advances African artistic praxis.

    Liner Note : Lanre Kunnuji

    Release date : 24/ 07/ 2020

    It’ll be available on Bandcamp, également disponible sur Itunes, deezer, Spotify..

     Photo : Stephane Barbier

     

    Muyiwa Kunnuji & Osemako - Bro HughGraphic design : Martin Smith

    Many thanks pour le soutien les amis.
    Respecto

     

    2020 African African Music Afrobeat Bro Hugh Dance Fela Kuti's Trumpeter France Highlife Jive Juju Lagos Marabi Muyiwa Muyiwa Kunnuji New Release Nigeria Osemako Tribute to Legends Trumpet
  • Muyiwa Kunnuji & Osemako : l’afrobeat en résidence
    African Jazz Afrobeat Album 2021 France Funk Highlife Jazz Jive Juju Music Lagos Marabi Muyiwa Kunnuji New Release Nigeria Osemako Residence Trumpeter Fela Kuti
  • “Mo Juba O” dans Les Inrocks / 10 albums Africains à écouter plus vite

     

    Respecto et merci à Louis-Julien Nicolaou pour la revue

  • Muyiwa Kunnuji & Osemako
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Tag: Muyiwa Kunnuji

0 Mo Juba O !

  • May 30, 2015
  • by Muyiwa Kunnuji's Osemako
  • · news

ARTICLE OSEMAKO DANS MIDI LIBRE / STÉPHANE BARBIER

Respecto à tous !

The album Mo Juba O is thus set to take the world by a storm…
Its production could be facilitated through your support as you pre-order via KISS KISS BANK BANK
How ready are you les Amis, RDV demain sur le site du KISS KISS… Muyiwa Kunnuji’s Osemako ‘Mo Juba O’

My gratitude goes to Stéphane Barbier (Journalist – MIDI LIBRE),
also to all those who were involved in the production & to all those who will support the project henceforth !!!
MO JUBA O

0 Every bit counts… merci !

  • October 1, 2014
  • by Muyiwa Kunnuji's Osemako
  • · news

Respecto  ladies & gentlemen ; Many thanks to you all for the support over the years. We acknowledge and appreciate your love, presence & goodwill ! Stay up to date for infos concerning our  Upcoming album.

Let the positive vibes be spread !  thanks for flying with us.

 

Photo : Chris Fach
Photo : Chris Fach
Photo : Chris Fach
SONY DSC
Osemako by Chris Fach
Photo :Claire Petavy
Osemako by Claire Petavy
Osemako : Chris Fach
Photo : Chris Fach
Photo :Claire Petavy
Photo : Olivier Farkas
Photo by Erwan Inizan
Photo by Erwan Inizan
Osemako : Pierre Ndjami Makanda
© Blanca Florenza- All rights reserved-27.04.2013-04-6
Photo : Chris Fach
SONY DSC
Osemako ! Photo : Chris Fach
Photo by Pierre Ndjami Makanda

0 Osemako @ Jazz à Vienne – 11 juillet 2014

  • June 5, 2014
  • by Muyiwa Kunnuji's Osemako
  • · concerts · news

Respecto dear friends,

For the 34th edition of Jazz à Vienne, it is our pleasure to invite you to the “Scène de Cybèle”

where we will be giving a 45minutes concert on the 11th july /14. we shall begin our performance 5:3opm.

Gate fee : Free

we will be delighted to have you amongst us on this auspicious day.

Program :

http://www.jazzavienne.com/scenes-de-cybele/osemako

 

Photo : Chris FACH

 

1 Osemako à Sussargues 05/ 07/ 14

  • May 22, 2014
  • by Muyiwa Kunnuji's Osemako
  • · concerts

Vous êtes cordialement invités à  Festival Les Arts des Vignes  ( website )

Ce sera une belle soirée au son de l’afrobeat, highlife et plus ( AfroClassicBeat )

Programmation

On vous attend nombreux.  Respecto

 

Osemako by Chris FACH

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